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"Her voice was bigger and more interesting than the material she was paired with," Dan said. She was also, as he believes, failed a bit by the music she was made to sing. She put in the hours and gave it all her energy." "I just remember her feeling like she was older than the teenager she was. "She just had no fear, she was so friendly and kind," he added. He recalled Katy being a "bright light" around the office when she visited. It was just kind of like a jazzy vocal, you know, with good sound and everything like that."ĭan Michaels was poached from another label to serve as Red Hill's marketing director just as Katy was signed, putting her on his roster of talent.
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Katy knew about three or four guitar chords.
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"And eventually I ended up getting with her and writing some. "I met her and her mom in a meeting and listened to a little bit of stuff that she had been working on," he recalled. One of the writers Katy was paired with was Tommy Collier, who co-wrote and produced two of the album's 10 tracks. They signed her to a deal and she got to work on what would become her first album. Two years later, during her first year of high school, she received her GED and began pursuing a music career of her own.Īfter making her way to Nashville, where she began recording demos and learning to write songs, she caught the attention of Red Hill Records, an youth market-focused imprint of Pamplin Music. By 9, she was singing in her parents' ministry. Raised by Pentecostal pastor parents Mary Christine (née Perry) and Maurice Keith Hudson, Katy spent her childhood immersed in the world of gospel music, as secular sounds weren't entirely welcome in the house. And what they had to say just might surprise you. With that in mind, E! News spoke exclusively with some of Katy's earliest collaborators about the girl they knew way back when. Though we may not have access to the album as it marks 20 years of existence to inform us about Katy's artistry before hitting it big, we can turn to those who knew her when for some insight. After all, it is easier to create the mystique of a global pop star if their earlier failed attempts on stardom aren't quite so accessible. Katy's first collection of songs isn't available anywhere to stream legally, destined to remain merely a footnote in the superstar's biography, perhaps both out of legal necessity (the label folded just after releasing the album) and by design. That distinction belongs to a contemporary Christian LP self-titled by a teenage artist still using her father's last name, released two decades ago on Mar. But the album that put her on the map, 2008's One of the Boys, wasn't her first. There's very little evidence left in the world that would argue otherwise, after all. You'd be forgiven, though, for thinking Katy arrived on the scene in 2007 with the (unfortunate) debut single "Ur So Gay" as a fresh-faced newcomer with no musical history behind her. Back before she was kissing girls and liking it or feeling like a teenage dream-that is to say well before Super Bowl halftime and American Idol stages were even a remote possibility-she was merely Katy Hudson, a girl with her guitar.